Now the men must work hard to keep Aiden safe, find the criminals, and sort out the developing feelings between them. And now things are becoming dangerous for Aiden, as it seems he may have inadvertently stumbled upon something the thieves didn’t want him to see. In the meantime, the investigation into the theft is stalling and Nate is no closer to figuring out who stole the weapons or how they even managed to get them out of the palace. But upon getting to know Nate, Aiden begins to realize that he may want more from his life than he originally thought. He never expected he would want to marry, choosing to focus all his attention on his art.

And Aiden is totally falling for Nate as well, completely entranced by the handsome, imposing captain. He finds himself drawn more and more to the Aiden and begins thinking about a future with him. But everything about Aiden fascinates Nate, especially his artistic talent and focus. He also knows that Aiden’s virtue must remain intact and that Nate should stay away from the young man to avoid another scandal. And Nate is a man who likes his encounters on the hard core side. As a young royal, Aiden has been sheltered and has no experience with men at all. When Nate arrives on Regelence, he expects the investigation to be the sole focus of his attention, but he finds himself drawn to Aiden, one of the young princes. It is so different from Englor, a place Nate had to flee after a scandal partly caused by his own interest in men. But in this case, births have been engineered to breed mostly gay men, and men are the ones whose virtue must be guarded until they are married. Their society mirrors Regency England, like his own home planet, Englor.

After years of commanding his own space ship, Nate is surprised at life on Regelence. Najarra Townsend.Intergalactic Navy Captain Nate Hawkins has been sent to the planet Regelence to help discover who is behind the theft of a weapons stash. Foreign Language films are eligible for awards in other categories provided they meet the requirements of Awards Rules Two and Three. Pictures eligible in the Animated Feature Film, Documentary Feature and Foreign Language Film categories are also eligible in the Best Picture category, provided they meet the qualifications for the category. ‘Passages’ Teaser: A Brutal Love Triangle Unfolds in Ira Sachs’ Sundance Hit

My Fair Captain by J.L. Langley